I’ve been worried about Case for a few years.
Many of the iconic and classic knife companies have closed their doors. Imperial Schrade Company went under in 2004 (though it lives on in some form after its name has been bought and sold by a few other companies) and Queen Cutlery called it day in 2018 after nearly 100 years in operation.
While traditional knives have been seeing a resurgence, especially with places like Great Eastern Cutlery committed to keeping the past alive, Case has been around for a long, long time and have been making largely the same knives for more than a century.
That’s why I was encouraged when they made a leap into the 21st century with some new knives and modern designs — a move I likened to the time when Bob Dylan went electric.
2019 is still young, but Case has been active in announcing new projects and even recently released its 2019 catalog.
Interestingly, this year is full of a lot of reworked knives and classics that were brought back to please the audience. Case is still in full blown going electric mode and I love it.
Feel free to skip to the actual knives, but hear me out if you want more Dylan deep dives. 2019 Case is the live at “Royal Albert Hall” bootleg era — completely reworking classics, revisiting old stuff, and continuing with the new.
Let’s dive deeper.
Case Reworks the Shark Tooth Flipper
The is the Case Shark Tooth.
It used to be like that.
But now it goes like this.
In case you didn’t catch that (and why would you if you aren’t a Dylan fanatic), that’s a line from this:
Similar to the way Dylan completely transformed that song from its acoustic folksiness, Case strips the old Shark Tooth to its bones and rebuilds it into something modern and sleek.